Using a matte is key with imported logos

Short Description
Tutorial. Adobe Studio on Adobe Premiere Pro 1.5. Using a matte is key with imported logos. You’ve imported a great logo into your title sequence, …

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Tutorial
Adobe Studio on Adobe Premiere Pro 1.5
Using a matte is key with imported logos
You’ve imported a great logo into your title sequence,
but the background leaves something to be desired.
Because Adobe?Premiere?Pro translates logos as solid
objects, its hard to apply a key to the logo. This is
because the image doesn’t have the default alpha key
that video clips have applied to them. So what next?
In this tutorial, we’ll work on a project with two files to
be composited: a logo and a background. They’re not
designed to be keyed, but given that the logo is on a
plain white background, there is a way that this can be
done. If you have a background that isn’t uniform, and
you want to pick out a logo, the best way to do this in
Adobe?Photoshop?is to create a new path layer with
the Pen tool around the logo itself and take it over onto
a plain background.
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These are the two images in place on the Timeline.
Both have been bitmaps imported as logos into Title
Designer to become prtl files. The logo, as superimposed,
is…