Creative titling The color of perfection

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Tutorial. Adobe Studio on Adobe Premiere Pro 1.5. Creative titling:The color of perfection. Correcting color can become a never ending quest for …

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Tutorial
Adobe Studio on Adobe Premiere Pro 1.5
Creative titling: The color of perfection
Correcting color can become a never ending quest for
some aesthetic Nirvana. As its name suggests, the builtin
Color Corrector in Adobe?Premiere Pro is there to
correct the chrominance (hue, saturation) and
luminance (brightness) of images with problems. The
bottom line is that pushing color and brightness can
lead to your final images showing crushed blacks, flaring
whites, color bleeding-and this will be ten times worse
if they’re trying to cope with an effect on top.
Color correction for titles can be applied at any time.
However, if you’re adding effects or transitions on the
Timeline-particularly if you are keying-any
adjustment is better done sooner rather than later.
In this tutorial, we’ll work with the color in one frame
of a wedding video.
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As this is fundamentally a still, I could quite feasibly
export the frame as a jpeg and take it into
Adobe Photoshop?for a bit of cross-application
doctoring. Video, though, is very particular about color
in a way that graphics applications don’t necessarily
have to be, and Adobe Premiere Pro has all…